. . . clear, appealing score. . . lithe melodic lines that flow and entwine in the manner of Monteverdi. . .  intensity more often encountered in Stephen Sondheim’s musicals. . .

–  Steve Smith, The New York Times (read complete review)

An Opera News "Best New Operas of the Twenty-first Century" selection:

. . . I saw a DVD of a semi-staged performance with piano that knocked me out. It was really honest and full of feeling. I was caught up in the story and the people, as if I were watching a movie. . .

–  Greg Sandow, Opera News (see complete list)

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